Saturday, August 4, 2012

Tim supports the arts!








This little sweetheart was made for Tim Miller.  Very fun project and I'm very happy with how it came out.  She's sporting a tobacco sunburst spruce top with tinted Indian Rosewood back and sides.  A Mahagoney neck rounds out the tone woods.  The top is braced with a modified Larson Brothers style bracing system.  The goal is to still get volume and a overall balanced tone.  Not too bassy.  The heavy arch put into the top helps get that bright punch that I like.  Check out the custom inlays!

Tuesday, September 28, 2010

Success!






So, the classical is finally finished off. Been an interesting experience. Very cool to do a Spanish style heel. First shot at wood binding and went pretty well. Here's the specs:

Western Red Cedar top
Indian Rosewood back and sides
Ebony Bridge
Ebony Fingerboard
Mahogany Neck
French Polish Shellac Finish



Anyways, enjoy the pics, let me know what you think!




Next up is a sunburst dreadnaught for Tiny T-Dog. Its already underway and I will be bracing the top this weekend.

Sunday, March 7, 2010

Classical update


I have been slowly French Polishing this guy, this picture has 4 coats on it. Next up some level sanding, and 4 more coats. Really like the way the cedar is looking. Bridge is almost done being carved out and we are on the home stretch! Hang tight Chris, she'll be all yours soon.

Just a fun picture


This is a composite guitar that had the top split from the side. Easy fix.

Monday, November 30, 2009

It's a small world


This Concert Uke came in from the wife of the customer that I am building the classical for. There was a large crack about 6 inches long. The only thing that stopped it from getting bigger was a brace on the top. I think this is humidity (or lack of) related, although it looked like there had been some trauma. The uke had sat long enough for one side of the split to move over the other (like platectonics yo!)so I was unable to push the two sides back together.















The way to handle this is to remove enough wood to place a splint in the empty space. Luckily I had some Koa scraps on hand.
Here's the early results:

After this it's just a matter of leveling the spline and blending the lacquer. You can still see where the repair was done but I think it came out nicely. Happy to see this little guy back into playing condition.






Saturday, November 7, 2009

In Action!



Just wanted to post a couple of pics from last night at Victrola. Two of my guitars were in action. Me on the acoustic, and the electric with it's owner. I broke a string and luckily was able to play the electric (fortunately also in open G tuning) for the rest of my rare set. Kinda neat to get that opportunity.

Tuesday, November 3, 2009

Finished with the binding


An update on the classical. Binding is done, I am now preparing the fingerboard for inlays and gluing, fret slots have been cut. The wood binding was interesting. I've always used plastic/ivoroid before which you can just bend into shape, but the wood binding must be bent on the iron. I love this simple tight job, it just looks clean. One of these days I'd love to do abalone purfling, but look at a vintage Gibson j-45 or that 59 Epiphone. The beauty is in the simplicity.